One Logo, Six Ways
One Logo, Six Ways
One Logo, Six Ways
My ring logo rebuilt six ways in Blender, by directing an AI agent through MCP
My ring logo rebuilt six ways in Blender, by directing an AI agent through MCP
My ring logo rebuilt six ways in Blender, by directing an AI agent through MCP
A quick test of how far an AI agent can go inside a 3D tool. I connected Blender to an agent through MCP and directed it: take the ring logo straight from the SVG, extrude each letter with a small bevel so the edges catch the chrome, unfold them one by one from the G, spin the ring and fold it away again, all in a five-second loop that runs seamlessly.
The agent did the modelling, lighting and keyframes through Blender's Python. I reviewed the frames and sent notes back until the easing felt right. The decisions stayed mine.
Once the scene existed, trying new ideas got cheap, so I pushed it further: five more takes on the same logo, each a different material or bit of physics. Soft jelly letters, a chrome ring that drops and scatters, frosted glass over stripes, a vortex and pink neon.
A quick test of how far an AI agent can go inside a 3D tool. I connected Blender to an agent through MCP and directed it: take the ring logo straight from the SVG, extrude each letter with a small bevel so the edges catch the chrome, unfold them one by one from the G, spin the ring and fold it away again, all in a five-second loop that runs seamlessly.
The agent did the modelling, lighting and keyframes through Blender's Python. I reviewed the frames and sent notes back until the easing felt right. The decisions stayed mine.
Once the scene existed, trying new ideas got cheap, so I pushed it further: five more takes on the same logo, each a different material or bit of physics. Soft jelly letters, a chrome ring that drops and scatters, frosted glass over stripes, a vortex and pink neon.
A quick test of how far an AI agent can go inside a 3D tool. I connected Blender to an agent through MCP and directed it: take the ring logo straight from the SVG, extrude each letter with a small bevel so the edges catch the chrome, unfold them one by one from the G, spin the ring and fold it away again, all in a five-second loop that runs seamlessly.
The agent did the modelling, lighting and keyframes through Blender's Python. I reviewed the frames and sent notes back until the easing felt right. The decisions stayed mine.
Once the scene existed, trying new ideas got cheap, so I pushed it further: five more takes on the same logo, each a different material or bit of physics. Soft jelly letters, a chrome ring that drops and scatters, frosted glass over stripes, a vortex and pink neon.
